What's On My Bench

It was an enameling day in my studio today........

New Jewelry

New Cherry Blossom Necklace
I live on a street that is lined with big lovely cherry blossom trees. These trees are charming all year round, but they are absolutely divine when they are full of bright pink cherry blossoms. I so wish that this divineness stayed longer, but the cherry blossoms, like so many beautiful moments in life only stay for a very short time. The Cherry Blossom Necklace is a special necklace for those moments in life that are the most divine. 
Sterling silver, copper, enamel, freshwater pearls.

Artist Residencies

I'm preparing to go on my first Artist Residency this spring. Since deciding to go, I've had lots of questions from people about the why, what, who, and how of of it. So, I'm going to tell you all more about it here and hopefully inspire some of you to start looking for your own residency experience.

I first really learned about Artist residencies last spring when I attended my first Society of North American Goldsmith's conference in Seattle. We heard an artist named Heidi Schwegler speak. She talked about her experience of doing 4 residencies in 1 year. I remember feeling inspired. How blissful it sounded to travel to another country to make art. She said she wasn't sure how she would be able to do the residencies financially and work wise, but she just started applying. When she got accepted to 4 in a 1 year period, she said everything just started coming together for her. This got my mind ticking a little.....

When I got home from that conference I started to look into residencies. Being a Jewelry Artist, I have always had some trouble calling myself an "Artist"........ I didn't go to Emily Carr, I don't have my Masters in Fine Arts....... I went to VCC a local community college and earned a Diploma in Jewelry Art and Design, I've taken numerous art and jewelry classes from other local artists, I've participated in national and international exhibitions......but still I have some trouble calling myself an Artist, weird yes. So to even look into artist residencies I felt somehow like an impostor. I found some really great websites, (listed below) that had tons of information on them. I was excited to see that there are residency opportunities all over the world and that they all have different requirements. For some you might need your masters in fine art, while others really want to offer space to emerging artists. Some are communal experiences, some are more solo driven. Some you can go for a couple of weeks, others can be months or a year.

After finding a handful of residencies that interested me I asked my beau if he would be interested in applying too and going together to one if possible. His response was, "But I'm not an artist, only you are", hmmm, interesting. My response to him, "But you've made a movie, and you have played and toured in bands nationally and internationally, and you haven't worked for anyone but yourself in over 15 years"............So.......we started applying...... two "non artists" started to apply to artist residencies, submitting proposals of work we wanted to create while on the residencies. And we started to get accepted.

We are now getting ready to go to Renkum, a small town in The Netherlands. Where I will create 30 (gasp) new one of a kind pieces of wearable art, using various types of metal wire, fabric, and found objects and he will write a script for a new movie. You know non artist type stuff!
This amazing opportunity is through an arts organization called OBRAS. They have residency opportunities in both The Netherlands and in Portugal.

The most comprehensive list of artist residencies that I found was this:

www.resartis.org
You have to just start looking through them to see if you want them and if they might want you. Some of them do require a lot of experience, and some prefer that you are emerging.


Here is a video that Heidi Schwegler made during one of her residencies. It was really this video and hearing her speak that inspired it all for me.

Wrest 01 from heidi schwegler on Vimeo.

And........There's still time to help me make the most of this experience. I have a little crowd funding project going on Rocket Hub right now. $20 of support gets you a hand written post card from Holland, and who doesn't want that?

A Big YES

This is my Wedding Cake Ring. This ring was recently chosen for The 13th Biennial International Juried Enamel Exhibition.


This is a pretty big deal to me. The exhibition starts September 9th at the Arrowmont School of Arts and Crafts in Gatlinburg TN. November 14th the exhibit travels to the Knoxville Museum of Art and then February 6th until March 23rd 2012 it will be at The Metal Museum in Memphis TN. I have always lustfully longed over the classes offered by the Arrowmont School and going to The Metal Museum in Memphis is right up there in my top 5 fantasies. I don't think I will be able to travel to all of the places that my ring will get to go to. (I can't believe that my ring will travel without me, how will it look after itself?, I think I just acquired a bit more empathy for what my Mom went through when I went to Barbados for a month when I was 19- sorry Mom) But I am hoping to go and meet up with it when it gets to Memphis next winter.

I made this ring when I was contemplating the meaning of connection. I was thinking about what it meant to connect with another person for a lifetime. I was thinking about doing it. I was thinking about weddings, and delicately decorated wedding cakes. I was thinking about all of the traditional elements of a wedding that make my skin crawl. I was thinking about all of the traditional elements of a wedding that make me cry in an instant.

Here are the links for you to check out the amazing places that my ring will visit, If anyone wants to come meet me in Memphis next February let me know. :)

Arrowmont School of Arts and Crafts

Knoxville Museum of Art

The Metals Museum

SNAG conference Pins

When I first started Jewelry Design school attending one of the Society of North American Goldsmiths (SNAG) conference's was put on my list of life goals. Thursday morning at 6:40am I will take a train down to Seattle with 3 jeweler friends to go to my first ever conference. I'm sort of freaking out. I'm so excited. I'm so nervous. I'm so grateful that I get to go and that I get to spend 4 days talking, thinking, and breathing all things jewelry and metal arts.

On the first night of the conference there is a meet and great "jewelers style". Which means everyone makes around 30 pins and exchanges them with each other as we meet and mingle. These are the pins that I made.....

New One of a Kind Jewelry

New Pieces on route to Revelstoke's Suzanne Spisani Designs.

Nothing Will Ever Be Perfect

I have always been drawn to imperfection.

When I was six years old I was at my sisters highland dance competition and my Mom treated me to a toy from the vendors to keep me content for the day. I chose a little stuffed koala bear (why a koala bear was at a highland dance competition, I'm not sure). When i brought the koala back to my seat with me I noticed that he wasn't perfect. He was missing two of his little felted black paw pads. I showed my Mom and she took me to exchange him for a perfect one. When I got back to my seat with my now perfect koala bear, instead of being content I was sad. I felt bad for the imperfect one. I worried that he wouldn't ever find a home. I told my Mom about my worries and she sweetly took me to exchange the koala again for my original imperfect one.

I have always been drawn to the imperfect. If something is twisted, crinkled, rusted, ripped or slightly off center and it finds it's way to me then it has likely found a home. I think the imperfectness of a hand made object is magical. I think that loving someone who knows the truth of their flaws is enlightening. Imperfection has so much more truth in it then perfection. At the end of the day I want to know that my day was real, raw, honest, and authentic. I don't care if it was perfect. Nothing will ever be perfect. One of my favourite writers Kelly Diels talks about how the conditions for creativity will never be ideal. I think this translates to all aspects of life - the conditions for falling in love will never be perfect, the conditions for taking risk will never be perfect.

I create objects with my two hands in a small studio space shared with 3 other jewelers, in a windowless old warehouse in east Vancouver. But when I sit at my bench and start to hammer metal I'm in the most beautiful, serene place and I create things that mean something.



When I was six years old and that little koala with the missing felted paw pads was in my arms again, I was finally content. I knew that the imperfect koala was meant to be mine. I knew that for my heart to love something it didn't have to be perfect.....It just had to feel right.


ps. This post was inspired by my online friend and fellow maker of jewelry with meaning, Amy Ambroult, you can check out her beautiful blogpost that inspired me here and you can see her authentic jewelry here. Thanks Amy.

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